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At this point in ‘The Country Doctor’s Tale,’ the titular country doctor is returning from a house call when he suddenly discovers political posters everywhere, even on the walls of the clinic.

“So you are still determined to sell the three mules?”

“The Wall,” by the massively popular Ahmed Khaled Tawfik (1962-2008) is from his collection “Now I Understand.”

“The city wakes up in obituaries.”

“I want to step out on my balcony and hang my laughter out on the clothesline, so that passersby can catch hold of it, scale the wall to the fourth floor, and laugh with me.”

“Who am I? / I am not myself.”

The”Translating Oman” event, hosted by Syracuse University Press, featured a discussion about Omani literature and translation.

In this conversation with Neil Hewison, we discuss what brought him to Mohamed Mansi Qandil’s The Country Doctor’s Tale, the pleasures of the Egyptian village novel, Mansi Qandil’s attention to women’s pain, and what makes a “modern classic.”

In the latest episode of the BULAQ podcast, co-hosts M Lynx Qualey and Ursula Lindsey talk with editor-writer Sara Yasin about the new publication The Key.

“The divide among poets has added a diaspora to the spatial diaspora, which scattered Syrians around the world.”

“In Ways of the Lord, Christians are mistaken for being Jews and are accused of spying for Israel, which demonstrates the lack of recognition of Copts and their conflation with other minorities.”