The Latest

Ibrahim al-Koni’s “The Desert Also Keened” was the winner of the 2023 ArabLit Story Prize in Dima El Mouallem’s translation. 

Libyan writer Najwa Binshatwan’s latest novel, شجرة الصابون (Tree of Soap, Dar Arab 2026) unfolds with her signature sarcastic-surrealism. In this world, the State encourages citizens to express themselves, ensures their participation, and provides them everything necessary to practice democracy. Nothing is forced, exactly; it’s just that absence is unwelcome and silence requires explanation.

“Before singer-songwriter  Yousra Hawwari, who made great use of the accordion, it was nobody’s favorite instrument despite being widely used. Perhaps it earned a kind of universal dislike precisely because it was overused in Egyptian songs from the 1990s, songs from other Arab countries that imitated Egyptian songs, and Turkish songs that either plagiarized Egyptian ones or vice versa.”

“sometimes my soul is wild, / an egret flying far / beyond the ocean’s edge, // and sometimes I curl up, / tender as an anemone when touched, / as salty and as damp.”

“It is the free bird.”

“Alone / on a balcony with no air / I suffocate, grow intoxicated / Coffee cups multiply / stained with lipstick, overflowing with disappointment / taking me to a fresh bout of insomnia / and thoughts, buried before they could ever see the light.”

Today, Kawthar al-Jahmi talks about her writing and reading journeys, the role of literary prizes, submitting her novel to the publisher a day before giving birth, and developing a writing practice while working and raising children.

This month, Hoopoe Fiction (an imprint of AUC Press) publishes Charles Akl’s debut novel Red Like Orange, which won a 2023 Sawiris Cultural Award. Now, three years later, Sarah Enany’s translation of this novel is available to a new readership.

In this “BETWEEN TWO ARABIC TRANSLATORS” conversation, Yasmeen Hanoosh and Sarah Enany talk about some of the particulars about translating for the stage and, particularly, for song.

” Jaziri wrote poetry with one set of alphabets which at that time were used in four languages: Kurdish, Ottoman Turkish, Persian, and Arabic. Sometimes, he used the four languages in one couplet. His poems are still recited and sung by Kurds. That coexistence of languages was quite natural, the alluring music was convincing, although I sometimes understood almost nothing.”