On Translating Jabra Ibrahim Jabra
Part One, Emile Habiby’s ‘The Six-Day Sextet’
New Poetry in Translation: ‘From a Country That Was’
Fiction
Part One, Emile Habiby’s ‘The Six-Day Sextet’
Over the next six weeks, we will be publishing installments of Emile Habiby’s The Six-Day Sextet, which is available in an open-access, non-commercial translation by Invisible Dragoman. The next installment is set to appear February 9, 2026.
New Short Fiction from Kuwait: ‘The Phone Call’
In this short fiction from Kuwait, the central character and his author are in a standoff over a telephone call.
Classic Short Fiction: Mohammed Hussein Heikal’s ‘The Second Family’
Short fiction by Mohammed Hussein Heikal (1888 – 1956) about marriage and money in early twentieth century Egypt.
Poetry
‘What have I survived’: New Poetry by Mahmoud Alshaer
“I survived—came out of yesterday / alive, carried out on the shoulders / of the wind.”
Two (Communist) Poems by Saadi Youssef
“I’ve said it before, and I say it now on this London evening / before it’s too late: / I am the last communist!”
Interviews
On Translating Jabra Ibrahim Jabra
Will Tamplin has devoted much of his work in translation to sharing the literary world of the exceptionally complex Jabra Ibrahim Jabra. In this interview, Tamplin explores his motivation behind this continuous dedication to Jabra’s work, as he dives into his experience translating The Other Rooms.
Omani Literature and the Translator as Intruder
In this “BETWEEN TWO ARABIC TRANSLATORS” conversation, Yasmeen Hanoosh and Zia Ahmed discuss approaching Arabic translation via English and Urdu, the layers of “outsider-ness” in translation, and the boom of narrative fiction in Oman.
Sinan Antoon’s ‘Of Loss and Lavender’
In this conversation over e-mail, Sinan Antoon talks about the novel, the fraught nature of collective memory, the process of self-translation, and the sort of “security checkpoints” a book must pass through in the process of translation.
In Focus
From the archives
A Talk with Poet Golan Haji: ‘Languages Never Draw Geographical Boundaries’
” Jaziri wrote poetry with one set of alphabets which at that time were used in four languages: Kurdish, Ottoman Turkish, Persian, and Arabic. Sometimes, he used the four languages in one couplet. His poems are still recited and sung by Kurds. That coexistence of languages was quite natural, the alluring music was convincing, although I sometimes understood almost nothing.”
Jonathan Smolin on the Relationship Between Ihsan Abdel Kouddous’s Politics and His Novels
“My book really is an examination of how he participated in the coup ,and how he believed fundamentally that the Free Officers were going to install democracy, and—once he realized that they were actually installing military dictatorship—the way he dissented, in the editorials and in person, the way that he was jailed, and the way he turned to fiction to express his dissent directly to Nasser.”
Egyptian Novelist Shady Lewis on Coptic Identity, Church-State Relations, and Citizenship
“In Ways of the Lord, Christians are mistaken for being Jews and are accused of spying for Israel, which demonstrates the lack of recognition of Copts and their conflation with other minorities.”