The Latest

Memories of Diminishment

Memories of Diminishment

Nonfiction, Palestine, Reviews /
On a review that nearly didn't happen ...

Samar Yazbek on Redefining Collective Memory

Samar Yazbek on Redefining Collective Memory
Interviews /
"Sometimes, I believe that silence itself could carry meaning in the face of this barbarity. Sometimes, I tell myself that I’ll stop documenting atrocities and only write literature. But all of this only makes sense in the context of our desire for justice, our desire to preserve the true essence of humanity." ...

Mahmoud Darwish: ‘Till my End and Till Its End’

Mahmoud Darwish: 'Till my End and Till Its End'
Poetry /
"Are you tired of walking / My son, are you tired?" ...

Fiction

From Iman Humaydan’s ‘Songs for Darkness’

From Iman Humaydan's 'Songs for Darkness'

“She closed her olive-green eyes and sang songs she’d learned from the women in her family.”

...

Part Six, Emile Habiby’s ‘The Six-Day Sextet’

Part Six, Emile Habiby's 'The Six-Day Sextet'

This is the sixth and final installment of Emile Habiby’s The Six-Day Sextet, which has been made available in an open-access, non-commercial translation by Invisible Dragoman. 

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Part Five, Emile Habiby’s ‘The Six-Day Sextet’

Part Five, Emile Habiby's 'The Six-Day Sextet'

On Mondays this winter, we are publishing installments of Emile Habiby’s The Six-Day Sextet, which is available in an open-access, non-commercial translation by Invisible Dragoman.

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Poetry

Mahmoud Darwish: ‘Till my End and Till Its End’

Mahmoud Darwish: 'Till my End and Till Its End'

“Are you tired of walking / My son, are you tired?”

...

Bassma Sheikho’s ‘Scream’

Bassma Sheikho's 'Scream'

“No electricity tonight. / Boredom is about to kill me.”

...

From ‘My Butterfly That Does Not Die’

From 'My Butterfly That Does Not Die'

Refaat Al Areer had set the scene, declaring, “If I must die,” and Alaa Al Qatarawi’s sorrow metamorphosed into a butterfly that perseveres. She writes, “If I die, my butterfly does not die.”

...

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Interviews

Samar Yazbek on Redefining Collective Memory

Samar Yazbek on Redefining Collective Memory

“Sometimes, I believe that silence itself could carry meaning in the face of this barbarity. Sometimes, I tell myself that I’ll stop documenting atrocities and only write literature. But all of this only makes sense in the context of our desire for justice, our desire to preserve the true essence of humanity.”

...

In Conversation: Songs as Memory, as Solidarity, as Resistance

In Conversation: Songs as Memory, as Solidarity, as Resistance

Iman Humaydan, Michelle Hartman, and Emma Hardy discuss the new translation of Iman’s book “Songs for Darkness” and songs as a tool for the transmission of memory, of solidarity, and as a method of resistance.

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Translating Noir: On ‘The End of Sahara’

Translating Noir: On 'The End of Sahara'

In this conversation with ArabLit’s Tugrul Mende, translator Alex Elinson talks about how literary prizes affect the translation landscape, the draw of detective novels, and how he hones voice in a novel with many starring characters.

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In Focus

From Gaza
Between Two Arabic Translators with Yasmeen Hanoosh
2024 Flash Fiction Finalists

From the archives

‘Resistance and the Palestinian Folk Song’

'Resistance and the Palestinian Folk Song'
This piece appeared in our Spring 2021 SONG issue.  By Shaimaa Abulebda It was last year when a short video ...

The Story of a Poem: Refaat Alareer’s ‘If I Must Die’

The Story of a Poem: Refaat Alareer's 'If I Must Die'
By Salih J Altoma  “And in Gaza and the West Bank, a new generation of poets persists. The most famous, ...

‘When Darkness Falls’: On the Shortened, Brilliant Life of Iraqi Author Hayat Sharara

'When Darkness Falls': On the Shortened, Brilliant Life of Iraqi Author Hayat Sharara

“The word eib rings in my head, it is eib to love, to sing, to get sick, to divorce, to show your emotions…and.…and. I felt these social chains were burdening me with fear, despair, and confusion, and I almost abandoned work on the book, but when I looked at the materials that I had collected, I knew that if I didn’t publish it now, it would never be published.”

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