The Latest

Translating Trauma, the Trauma of Translating

Translating Trauma, the Trauma of Translating

Interviews /
Here, Leri Price talks about the referred trauma (and guilt) of translating testimonies from a genocide, how she worked with translators bringing the book into other languages, and the particular challenges of translating this book ...

Sahar Khalifeh’s ‘Free’

Sahar Khalifeh's 'Free'
Fiction /
In this excerpt from Sahar Khalifeh's ‘A Novel for My Story,’ by turns playful and serious, the novelist describes the moment she freed herself from her marriage and other people's expectations of what her life could be ...

Classic Short Fiction by Ali Al-Douagi

Classic Short Fiction by Ali Al-Douagi
Fiction /
"Ah, how immense my delight when I saw the moving cart piled high with carpets, lamps, and sacks of every size and color!" ...

Fiction

Sahar Khalifeh’s ‘Free’

Sahar Khalifeh's 'Free'

In this excerpt from Sahar Khalifeh’s ‘A Novel for My Story,’ by turns playful and serious, the novelist describes the moment she freed herself from her marriage and other people’s expectations of what her life could be.

...

Classic Short Fiction by Ali Al-Douagi

Classic Short Fiction by Ali Al-Douagi

“Ah, how immense my delight when I saw the moving cart piled high with carpets, lamps, and sacks of every size and color!”

...

From Kawther Al-Jahmi’s ‘A Son of the Country’

From Kawther Al-Jahmi's 'A Son of the Country'

The novel poses a question about identity: Is it a piece of paper, or a sense of belonging?

...

See all posts in "Fiction"


Poetry

Three Poems from Gaza

Three Poems from Gaza

“I pace this room alone, / fingertips brushing the wall, / memorizing each mark, each echo.”

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Three New Poems by Maysara Salah El-Din

Three New Poems by Maysara Salah El-Din

“Once, I became / A cloud / To gain / Flight experience / And twice / I became / A brick / To gain / Experience in falling.”

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Five Poems by May Ziadeh

Five Poems by May Ziadeh

“sometimes my soul is wild, / an egret flying far / beyond the ocean’s edge, // and sometimes I curl up, / tender as an anemone when touched, / as salty and as damp.”

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See all posts in Poetry


Interviews

Translating Trauma, the Trauma of Translating

Translating Trauma, the Trauma of Translating

Here, Leri Price talks about the referred trauma (and guilt) of translating testimonies from a genocide, how she worked with translators bringing the book into other languages, and the particular challenges of translating this book.

...

Kawthar Al-Jahmi’s Journey: From ‘Bint Tripoli’ to Award-winning Novelist

Kawthar Al-Jahmi's Journey: From 'Bint Tripoli' to Award-winning Novelist

Today, Kawthar al-Jahmi talks about her writing and reading journeys, the role of literary prizes, submitting her novel to the publisher a day before giving birth, and developing a writing practice while working and raising children.

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Words, Music, and Translating ‘Red Like Orange’

Words, Music, and Translating ‘Red Like Orange’

This month, Hoopoe Fiction (an imprint of AUC Press) publishes Charles Akl’s debut novel Red Like Orange, which won a 2023 Sawiris Cultural Award. Now, three years later, Sarah Enany’s translation of this novel is available to a new readership.

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In Focus

From Gaza
Between Two Arabic Translators with Yasmeen Hanoosh
May Goes On: (Re)-Introducing May Ziadeh

From the archives

‘Resistance and the Palestinian Folk Song’

'Resistance and the Palestinian Folk Song'
This piece appeared in our Spring 2021 SONG issue.  By Shaimaa Abulebda It was last year when a short video ...

For Valentine’s Day: The Many Loves of Nizar Qabbani

For Valentine's Day: The Many Loves of Nizar Qabbani

Your love has taught me… how to be sad.
And I have needed, for ages
A woman to make me sad
A woman in whose arms I could weep
Like a sparrow,

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Jonathan Smolin on the Relationship Between Ihsan Abdel Kouddous’s Politics and His Novels

Jonathan Smolin on the Relationship Between Ihsan Abdel Kouddous's Politics and His Novels

“My book really is an examination of how he participated in the coup ,and how he believed fundamentally that the Free Officers were going to install democracy, and—once he realized that they were actually installing military dictatorship—the way he dissented, in the editorials and in person, the way that he was jailed, and the way he turned to fiction to express his dissent directly to Nasser.”

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